I went to the Portland Museum of Art on my last day to see the Marin and Maine modernists shows, along with the permanent collection. Marin really paints the spirit of the ocean and I could feel the ocean as well as see it when I looked at the works. It was wonderful to have the natural and painted worlds so close in time and space.
The Maine modernists show was, however, the reverse. The show included considerable documentary material about the various artists who had worked in Seguinland. That term was then used for several communities South of Bath, including Georgetown and named after Seguin Island which is at the mouth of the Kennebec River. Artists in the show included several that I am fond of, such as F. Holland Day and Marsden Hartley, as well as others with whom I am familiar. I wished that I'd been to that show beforehand. I took a picture near where Day had his house and studio, and where he took some of his romantic pictures of naked young men. Another picture was of a cove, more or less across the road from the Lachaise house.
Hartley used to visit Gaston Lachaise and his wife at their house in Georgetown Center and moved permanently back to Maine soon after visiting Mrs Lachaise after Gaston died in 1935. If we'd seen the show and had the catalog in hand, perhaps we could have wasted a lot of time to find the actual locations and poked our noses into someone's private space. We just got the aura.
There's a wonderful small Hartley in the show that has splotches of rock and water. That was great to see after having stood on the rocks, watching waves.
I'm not sure why Seguinland is so named but I couldn't help but wonder if it was related to Seguin, Texas. Wikipedia tells me that the city in Texas was named after Juan Seguín, veteran of the Battle of San Jacinto and later a senator. I didn't check the Moderns catalog but the web hasn't yet told me the source of Seguinland in Maine.
No comments:
Post a Comment