Site specificity in art, as a concept, sometimes troubles me but especially when someone claims it to be absolute. All installations are at least somewhat specific to the place in which they are installed, and almost anything can be moved to another site or reproduced (reconstructed) in a new place. My interest was piqued when the Library of Congress added a subject heading for Site specific installations (Art) as distinct from and a narrower term than Installations (Art). If you click on the "troubles me," you'll be taken to a few earlier blog entries that dance around this matter. And now I've had a couple interesting experiences and readings with site specificity in the past couple weeks.
"Annie Jump and the Library of Heaven" was presented at Alfred University in mid September 2020 after being delayed by the COVID-19 pandemic in the spring. It is "a play for all audiences about finding your place in the universe and intelligent life in your hometown." The original plan was for a traditional theater presentation. COVID health concerns moved it outside and, mirabile dictu, the setting became the parking area at the observatory on campus with a couple bits actually taking place inside the telescope buildings. The story was all about Annie Jump trying to come to terms with life beyond this planet and how to deal with her quirky astronomer father. The play was pretty heartening but seeing it under the starlit sky at the observatory was fantabulous indeed. What a site for this specific play.
I love my indexing work for the Avery Index to Architectural Periodicals. One of my titles is Future Anterior and an issue I just did -- volume 15, number 2, winter 2018 -- was on the theme "Ex situ: on moving monuments." That is, ex situ as contrasted from in situ. The issue includes a description by Ryan Mendoza of his deconstruction of Rosa Parks's house in Detroit when it was threatened with demolition and its reconstruction in Berlin. When its time in Berlin was ending, there was talk of moving it back to the United States but it has now been reconstructed at the Palazzo Reale in Naples. What a trip this supposedly immovable structure has been taking, and what a time this is.
I'm not sure either of these experiences has convinced me that Site specific installations (Art) is a necessary subject heading but they certainly have given me plenty to think about. I think I'd prefer Site specificity in art in combination with Installations (Art) when the artist really talks about the specific site of an installation.
