Les Invalides
Paris, France
(photo from Wikipedia)
Main Cathedral of the Russian Armed Forces
Patriot Park, Odintsovsky District, Russia
(photo from Wikipedia via Architizer)
Showing posts with label Paris (France). Show all posts
Showing posts with label Paris (France). Show all posts
15 July 2020
16 September 2019
Paci column in Venice and at Jeu de Paume
Last night at work I was looking at the 2019 annual collectors issue of Art News (vol. 118, no. 3, fall 2019) and happened on a small picture of The Column by Adrian Paci at the Architecture Biennale in Venice in 2014:
(photo from Architectural Association webpage)
And that led me to Paci's 2013 film about making the column on the boat as the marble came over from China. From stone to art, from East to West, from the ancient world to contemporary fabrication and economics. Images of Maersk trucks delivering a stone column to the plazas outside the Jeu de Paume in Paris.
06 February 2012
surfing the internet, aka cyberflânerie
When was the last time you surfed the internet? Is there an app for it? Evgeny Morozov writes in the New York Times about how we've lost our cyberflânerie in the face of focused web browsing and social media. 
The 19th-century Parisian flâneur serendipitously strolled about the city: observing, finding, enjoying, thinking, but mostly not interacting. (Sounds a bit like FRBR user tasks.) Our friends now put articles they find in front of us, taking away our own discovery time and space. And I must admit that my first reaction when reading Morozov's article was to post it to my Facebook wall for all to see.
I've been thinking about intense observation since Michelle Illuminato introduced me to the work of Georges Perec. Among his books are An Attempt at Exhausting a Place in Paris and Species of Spaces and Other Pieces, both great titles. I haven't read either of them yet; I'm too busy reading my Facebook feed.
The Morozov article, in the print edition of the Sunday Review section of yesterday's New York Times, faced two more interesting articles on the internet: "Should Personal Data Be Personal?" by Somini Sengupta and "Facebook is Using You" by Lori Andrews. I very much enjoy Facebook and other social sites and am willing to forgo the loss of privacy but I still want my private thoughts and observations. Solitude, liking yourself, is important. Other articles in yesterday's Times talked about folks living alone. It's not just selfishness ... or loneliness.
The picture is Caillebotte's "Paris Street: Rainy Day" (1877), now in the Art Institute of Chicago (image from Wikipedia article).
The 19th-century Parisian flâneur serendipitously strolled about the city: observing, finding, enjoying, thinking, but mostly not interacting. (Sounds a bit like FRBR user tasks.) Our friends now put articles they find in front of us, taking away our own discovery time and space. And I must admit that my first reaction when reading Morozov's article was to post it to my Facebook wall for all to see.I've been thinking about intense observation since Michelle Illuminato introduced me to the work of Georges Perec. Among his books are An Attempt at Exhausting a Place in Paris and Species of Spaces and Other Pieces, both great titles. I haven't read either of them yet; I'm too busy reading my Facebook feed.
The Morozov article, in the print edition of the Sunday Review section of yesterday's New York Times, faced two more interesting articles on the internet: "Should Personal Data Be Personal?" by Somini Sengupta and "Facebook is Using You" by Lori Andrews. I very much enjoy Facebook and other social sites and am willing to forgo the loss of privacy but I still want my private thoughts and observations. Solitude, liking yourself, is important. Other articles in yesterday's Times talked about folks living alone. It's not just selfishness ... or loneliness.
The picture is Caillebotte's "Paris Street: Rainy Day" (1877), now in the Art Institute of Chicago (image from Wikipedia article).
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