Two summers ago, Artist Michael Bernard Stevenson Jr and Cassandra Bull co-curated an exhibition in Alfred entitled "Won't You Be My Neighbor?" in which an artist and a community member developed a collaborative work which involved the eventual audience also collaborating. Sam Horowitz and I developed a piece that we called "Time Becomes Us" based on our preparatory conversations. Sam built a wood trough in which we placed layers of natural and artificial materials.
Our object was on display in Cohen Gallery at Alfred University along with the works by other collaborators. Folks were invited to add layers to the initial ones Sam and I had done. We provided a few buckets of clay along with rocks and other objects we found. Some rocks, asphalt chunks, and bricks were collected from the Canacadea Creek behind my house. The Cohen show was up for part of August into the school term. After the show, Sam removed the trough and fired the contents. He's done plenty of experimenting with firing rocks, particularly the shales from this region.This summer, we took some of the fired detritus of the piece and put it back in the creek bed behind my house.
This afternoon, I came across a video from the American Academy in Rome about their recent Streetscapes series of installations. The works were done by Academy Fellows, partly in response to the pandemic and the desire to have works that could be viewed from the sidewalks around the Academy. The director talks in the video about making the Academy more visible to its neighbors. One of the works -- Novissimo Landscape Goes Silver by Francesca Berni -- looks rather like it might have been mounted in the garden of the Villa Aurelia (one of the buildings of the Academy). Bill and I were lucky enough to stay in the Villa Aurelia when I was in Rome to do NACO training at the Academy.
This is a screenshot from the video. The material looks like soft aluminum foil and makes a fine crinkly noise as it waves in the breeze. How nice it would be to be in Rome and see the installations.