ARLIS/NA @ CDMX

I just got back from the Art Libraries Society of North America conference in Mexico City, our first conference in Mexico although we have been proudly North American all of our collective lives. We have already met a few times in Canada (Toronto, Montreal, Vancouver, and Banff). Mexico City is a gritty city, like I like 'em. Gritty, busy, noisy, diverse, full of architectural treasures, good and interesting art, food (fancy and plain).

On our last afternoon, after the business meeting, Bill and I walked over to see the murals in the Secretariat of Public Education building. Diego Rivera, Jean Charlot, and others. We meandered on the way back, partly on the Calle de la República de Cuba. In addition to bridal shops and gay bars, we saw this building that could use some attention and maintenance. I think a third-floor deck would be just fine through those open arches.

That evening, we went to the Palacio de Bellas Artes for a concert by the National Symphony Orchestra of Mexico. The program included an overture by Louise Farrenc (Opus 23), a double bass concerto by Karl Ditters von Dittersdorf (KR 172), and the Third ("Organ") Symphony by Camille Saint-Saëns. The music was lovely. The conductor was a joy to watch. The hall has a Tiffany dome as well as a Tiffany (glass) stage curtain. The first and third works were played on the full stage. The Ditters von Dittersdorf only uses a chamber orchestra so they put some chairs on the front of the proscenium and lowered the Tiffany glass curtain for that portion of the concert. We were physically as well as musically in heaven. Bill had purposely chosen seats in the top of the house (más alta, por favor) so we were close to the Tiffany dome.

Now back home and last night was the dance showing by choreography students at Alfred University. Pretty glorious too. Stendhal much?

(view from exhibit hall at the conference, Hilton Reforma)

(my CDMX picture album on Flickr)

Radio Girls, before and after their time

There are all sorts of reasons why you buy and/or read a book. Sometimes it's the stack of books on the new releases table in the bookstore. Sometimes it's a review. Sometimes a friend recommends the book. Maybe the book is just in the social air. And sometimes the daughter of a friend and colleague is the author. It was this last circumstance that put Radio Girls by Sarah-Jane Stratford on my to-read shelf.

(image from Penguin-Random House webpage for the book)

Sarah-Jane Stratford is the daughter of my longtime art cataloging colleague Nancy Norris, now retired from UCLA. It took me a little while to get into the story but I'm awfully glad I got past that. The story is set in London, between the wars, as the fascist threat grows and people become more and more aware of the seriousness of the threat. The "radio girls" are working at BBC which is in its infancy.

The first printing of the New American Library paperback edition was in June 2016. It is amazing and terrifying how the story resonates with the situation in the United States from 2016 when Trump was running and then serving as president. Suppression of news. Officious bosses. Male date assumptions. Stratford must have had her fore-seeing glasses on.

Always looking for parallels, I was amused that one of the bad guys was a Mr Grigson. Not quite the same name as Michael Gregson, from Downton Abbey, but our heroine Maisie Musgrave's fiancé Simon does go to Germany on family business and get involved with Grigson on some corporate shenanigans related to making deals with the Nazi government. By the way, librarians are mentioned a couple times as being good with facts.