The reading room in the "Shade" show included iPads with the Art21 video of "Mark Bradford in Paradox" where I learned that he considers his beginnings not as an artist but as a maker in his mother's beauty shop where he did the signage. Also, "endpapers" aren't just in books; that term is also used to refer to the papers used when doing a perm.
Another show at the Albright-Knox was entitled "Defining Sculpture" and included works from the collection, from Pop Art by Marisol to a floor piece by Polly Apfelbaum, and a piece by Janet Cargill and George Bures Miller with a recording on a phone at a desk. A couple of the guards were doing a re-creation of "Imponderabilia" by Marina Abramovic and Ulay ...
... but I'm not sure it is very convincing.
In the funky underground gallery that also serves as a passageway from the main building to Clifton Hall was "Joan Linder: Operation Sunshine" which addressed waste sites in the Buffalo area, including Love Canal. Wonderful sketchbooks with long accordion-fold drawings, and hand-lettered recreations of brochures, reports, posters, and ephemera about the sites.
(image from the Albright-Knox website, courtesy of the artist)
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