So you may know that I watch film credits pretty voraciously. I love the loopy rhyme of Loop Group as well as the name of such a post-production sound group that I have seen credited a number of times: Sync or Swim. Sometimes, the folks responsible are called Crowd ADR or just ADR (Automated Dialogue Replacement). I just watched Going Down in LA-LA Land and was amused by the credit for Expendables. Those responsible for expendables were Studio Depot, The Expendables Recycler, Bulbtronics, and Expendable. I glanced over the YouTube comments and someone noted that they really enjoyed watching the credits because "The ADR then is hilarious." Here's the two leads getting to know each other:
28 February 2023
meta credits
P.S. Emma Kantor also reads the end credits: https://www.nytimes.com/2023/02/21/magazine/closing-credits-movies.html
Labels:
films and television
24 February 2023
at hand, just six feet away
I occasionally think that I should find an institution that could use the books on art and architecture that I've been buying for decades. I used to worry about the appraisal for tax deduction purposes and decided that was just an impediment. Still, it is satisfying to have my book collection when I am at an Unboxed Lunch sponsored by the Archives of American Art. Josh Franco talked today about new accessions to the Lucy Lippard archive. He happened to pick out the folder on her book Overlay. It was glorious to stand up, take a couple steps, and take Overlay off the shelf and look at it as he spoke.
Labels:
books and reading
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