(NPS photo)
My nephew asked me about the obituary for Dr Lloyd Watson, a bee scientist who had been a major influence on my father as he was growing up. Enough that I was named after his son. The obituary appeared in The New York Times for February 27, 1948. I looked at the obituary on the TimesMachine so I was looking at the content as a newspaper page.
An obituary in a neighboring column was for a Dr William Maxon, a botanist and expert on ferns. Probably not a relative but I am related to Maxsons, a variant spelling of the surname. LCSH uses Maxson family with a reference from Maxon family and a couple other variants.
I couldn't help myself. I turned the newspaper back a page or two, noting book reviews, letters to the editor, opinion pieces, and other items that now seem less integrated in today's Times. Next to the main book review was an article entitled "Decision to stand on Jefferson Arch: prize-winning design for huge parabola is opposed here as similar to Mussolini's." The arch, designed by Eero Saarinen, is now known as the Gateway Arch and is part of the Jefferson National Expansion Memorial.
The Jefferson Arch was criticized by Gilmore D. Clarke, the chairman of the National Commission on Fine Arts, as similar to a Mussolini arch. Mussolini had approved a parabolic arch for the international exposition in Rome in 1942 celebrating twenty years of fascism. The president of the Jefferson Memorial Association argued that the similarity of the designs was "purely coincidental." Saarinen described the parabola shape as a basic form and said he had never seen the Rome design. The connection of fascism to modern architecture, particularly in Italy, is troubling to me (and others).
As an aside, Gilmore Clarke is mentioned three or four times in the article and his "Clarke" is misspelled as "Clark" in the first instance.
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