It looked like a view down on a ranch house in Texas designed by Lake|Flato or the Talbot House on Nevis Island by Taft Architects. Here's the Talbot House and its plan from the Taft Architects website:
21 November 2014
crystalline plans
The Bergren Forum this week was on "Multiphase Ceramics for Nuclear Energy" with S.K. Sundaram, a researcher in the Inamori School of Engineering at Alfred University. I won't surprise you to know that I was struggling to keep up with the description of the research on ceramic and glass materials that are being studied as receptacles for nuclear waste. A ways into the talk, Sundaram showed some pictures of crystals and I had some context. This isn't the one he showed but it has some of the same feel. This is perovskite from http://galleryhip.com/crystal-structure-minerals.html.
It looked like a view down on a ranch house in Texas designed by Lake|Flato or the Talbot House on Nevis Island by Taft Architects. Here's the Talbot House and its plan from the Taft Architects website:
It looked like a view down on a ranch house in Texas designed by Lake|Flato or the Talbot House on Nevis Island by Taft Architects. Here's the Talbot House and its plan from the Taft Architects website:
Labels:
architecture,
separated at birth
14 November 2014
Market Arcade, Buffalo
Before heading back to Alfred, I stopped in at Burning Books which didn't have the book I wanted but it was a trip to be in such a politically correct bookshop. Then over to CEPA Gallery on Main Street. CEPA was founded in 1974. CEPA stands for Center for Exploratory and Perceptual Art. Right or wrong, I associate CEPA with several artists that started out in Buffalo, e.g., Cindy Sherman, Robert Longo, Hollis Frampton. Some stayed, some didn't. The CEPA Gallery is now located in the Market Arcade. I didn't know but I love an arcade. (This picture is from the Market Arcade Facebook page.)
["Wrong" as it turns out. It's Hallwalls that Cindy Sherman was associated with while studying in Buffalo. Sorry, CEPA. My car was parked on Tracy Street in the first spot Northwest of Delaware Avenue which means that my car was closer to Hallwalls than it was to CEPA. Galleryhopping takes a lot of research. Right now, I'm looking at Held together with water: art from the Sammlung Verbund (Hatje Cantz, 2007) and there's a section on the performative with an essay on Cindy Sherman.]
["Wrong" as it turns out. It's Hallwalls that Cindy Sherman was associated with while studying in Buffalo. Sorry, CEPA. My car was parked on Tracy Street in the first spot Northwest of Delaware Avenue which means that my car was closer to Hallwalls than it was to CEPA. Galleryhopping takes a lot of research. Right now, I'm looking at Held together with water: art from the Sammlung Verbund (Hatje Cantz, 2007) and there's a section on the performative with an essay on Cindy Sherman.]
Labels:
Buffalo (N.Y.),
galleryhopping,
shermaniana
13 November 2014
going to Buffalo, again
The VRA Upstate New York Chapter called a meeting for Thursday, November 13, in Buffalo. It was pretty exciting to get a notice about a planning lecture on the preceding Wednesday night by Emily Talen, with the topic "Walkable Diversity: Chasing an Elusive Planning Goal." The meeting got cancelled because not enough people registered but I decided to come up to Buffalo anyway for the lecture and to see a show at the UB Anderson Gallery.
The lecture was fine even though Talen admitted she was preaching to the choir about making cities walkable because that made them more environmentally benign, safe, beautiful, and diverse. She had originally called her talk "Neighborhood Diversity" but decided neighborhood was too complicated. Besides, she's working on a book on neighborhood and recognizes that diversity is meaningless without neighborhood, and vice versa. Strangers are important to a lively diversity. This talk came one day after an Alfred Village Board meeting with discussion of changes to the zoning code. Talen talked about the downside of zoning since it often codifies things that work against diversity, e.g., type of business, size of buildings. We don't necessarily all want to be zoning-free Houston but walkability is significantly enhanced by variety. Fortunately, form-based zoning is coming down the pike and we've been talking about it on the Alfred Village Planning Board. As an aside, Talen mentioned that students are good for street safety because they keep all hours and therefore provide pedestrian traffic pretty much around the clock. In a small college town like Alfred, student housing is a regular topic. Talen has great hope for community land trusts and using big data to strategize how to spend on urban development. For example, she and some colleagues got a grant from HUD to study location of public housing and found that 71% of public housing is in unwalkable areas; she argued for building more walkability into areas with affordable housing and vice versa.
As I walked back to my car, I was reminded of another aspect of walkability. Pedestrians have a fair shot in New York City. They might not survive a crash with a car, truck, or bus but they are respected in the City, at least in Manhattan. Cars stop before the crosswalk. No right turns on red. After the lecture, I saw two drivers doing mighty me-first actions. I was crossing Main Street near the South Campus of UB. A driver on Main Street went way through the crosswalk I was using, sucking on her Big Slurpy, ready to turn right on red, glanced at me and did her right turn anyway. I got to the other curb after she'd turned and a car came up Niagara Falls Boulevard and accelerated into the yellow light past a stopped car in the curb lane in order to make a left turn onto Main Street. Cars, actually drivers, need to be more respectful. That's my second amendment slogan: cars don't kill pedestrians, drivers do.
Today was art day. I started at the "Art = Text = Art: Private Languages, Public Systems" show at the UB Anderson Gallery. Mostly 1960s and 1970s work by folks such as Rauschenberg, Johns, Jess, Joe Brainard, Ian Hamilton Finlay, and William Anastasi. Also later stuff including a provocative "Constitution" (2004) by Annabel Daon in which she phonetically transliterated the U.S. Constitution into Arabic. Susanna Harwood Rubin is represented by "102 rue Haussmann," in which Proust's address is subtly drawn in a field of graphite. I also liked "Die Welt" by Ellsworth Kelly in which his normal color shapes replace the image portion of pages of the German newspaper. The installation was really inspired. Lots of queer content too.
Then over to the Albright Knox Art Gallery for some Helen Frankenthaler and Joe Feeley. The Frankenthalers were lovely. And another quick round through the printed works from the 1970s in the wonderful hemicycle gallery. Across the street to the Burchfield Penney Art Center. The Marion Faller photographs were OK but they were installing a show on Alexander O. Levy that looks really interesting. Thank heavens I don't need much excuse to make a trip to Buffalo.
After the galleries, I went down to India Gate and had some Indian buffet and then drove down to Allen Street. I walked around some streets that I haven't been on before even though with light snow falling, it wasn't a particularly commodious day for strolling or picture taking. When I was almost back to the car, I discovered that I was near Rust Belt Books, a pretty good used bookstore ... so I checked it out, escaping without any purchases. Part of me would love to travel light through life, just a suitcase or two. A bigger part of me knows the hardest part of that would be parting with books, even the ones I know are pretty readily available at some library.
Back in the car. I wanted to see what the East Side looks like. I keep hearing or reading that it's the poorer and more devastated part of town. Still, it amazed me how quickly the vacant lots and potholes multiplied as I went out Broadway from downtown. Amenities that make for a walkable area were few and far between.
After a breather at the Motel 6, I went up to Barnes & Noble on Transit Road. I asked the clerk if they had Why civil resistance works: the strategic logic of nonviolent conflict by Erica Chenoweth. No but she quietly mentioned a new bookstore Burning Books which specializes in political items. Something more to check out before I head back to Alfred. The reason I wanted to see the Chenoweth book is that she was being interviewed as I drove up to Buffalo but that station (WSKG) got out of range just as she was explaining how she, a security studies doctoral student, got into civil resistance and nonviolence.
The lecture was fine even though Talen admitted she was preaching to the choir about making cities walkable because that made them more environmentally benign, safe, beautiful, and diverse. She had originally called her talk "Neighborhood Diversity" but decided neighborhood was too complicated. Besides, she's working on a book on neighborhood and recognizes that diversity is meaningless without neighborhood, and vice versa. Strangers are important to a lively diversity. This talk came one day after an Alfred Village Board meeting with discussion of changes to the zoning code. Talen talked about the downside of zoning since it often codifies things that work against diversity, e.g., type of business, size of buildings. We don't necessarily all want to be zoning-free Houston but walkability is significantly enhanced by variety. Fortunately, form-based zoning is coming down the pike and we've been talking about it on the Alfred Village Planning Board. As an aside, Talen mentioned that students are good for street safety because they keep all hours and therefore provide pedestrian traffic pretty much around the clock. In a small college town like Alfred, student housing is a regular topic. Talen has great hope for community land trusts and using big data to strategize how to spend on urban development. For example, she and some colleagues got a grant from HUD to study location of public housing and found that 71% of public housing is in unwalkable areas; she argued for building more walkability into areas with affordable housing and vice versa.
As I walked back to my car, I was reminded of another aspect of walkability. Pedestrians have a fair shot in New York City. They might not survive a crash with a car, truck, or bus but they are respected in the City, at least in Manhattan. Cars stop before the crosswalk. No right turns on red. After the lecture, I saw two drivers doing mighty me-first actions. I was crossing Main Street near the South Campus of UB. A driver on Main Street went way through the crosswalk I was using, sucking on her Big Slurpy, ready to turn right on red, glanced at me and did her right turn anyway. I got to the other curb after she'd turned and a car came up Niagara Falls Boulevard and accelerated into the yellow light past a stopped car in the curb lane in order to make a left turn onto Main Street. Cars, actually drivers, need to be more respectful. That's my second amendment slogan: cars don't kill pedestrians, drivers do.
Today was art day. I started at the "Art = Text = Art: Private Languages, Public Systems" show at the UB Anderson Gallery. Mostly 1960s and 1970s work by folks such as Rauschenberg, Johns, Jess, Joe Brainard, Ian Hamilton Finlay, and William Anastasi. Also later stuff including a provocative "Constitution" (2004) by Annabel Daon in which she phonetically transliterated the U.S. Constitution into Arabic. Susanna Harwood Rubin is represented by "102 rue Haussmann," in which Proust's address is subtly drawn in a field of graphite. I also liked "Die Welt" by Ellsworth Kelly in which his normal color shapes replace the image portion of pages of the German newspaper. The installation was really inspired. Lots of queer content too.
Then over to the Albright Knox Art Gallery for some Helen Frankenthaler and Joe Feeley. The Frankenthalers were lovely. And another quick round through the printed works from the 1970s in the wonderful hemicycle gallery. Across the street to the Burchfield Penney Art Center. The Marion Faller photographs were OK but they were installing a show on Alexander O. Levy that looks really interesting. Thank heavens I don't need much excuse to make a trip to Buffalo.
After the galleries, I went down to India Gate and had some Indian buffet and then drove down to Allen Street. I walked around some streets that I haven't been on before even though with light snow falling, it wasn't a particularly commodious day for strolling or picture taking. When I was almost back to the car, I discovered that I was near Rust Belt Books, a pretty good used bookstore ... so I checked it out, escaping without any purchases. Part of me would love to travel light through life, just a suitcase or two. A bigger part of me knows the hardest part of that would be parting with books, even the ones I know are pretty readily available at some library.
Back in the car. I wanted to see what the East Side looks like. I keep hearing or reading that it's the poorer and more devastated part of town. Still, it amazed me how quickly the vacant lots and potholes multiplied as I went out Broadway from downtown. Amenities that make for a walkable area were few and far between.
After a breather at the Motel 6, I went up to Barnes & Noble on Transit Road. I asked the clerk if they had Why civil resistance works: the strategic logic of nonviolent conflict by Erica Chenoweth. No but she quietly mentioned a new bookstore Burning Books which specializes in political items. Something more to check out before I head back to Alfred. The reason I wanted to see the Chenoweth book is that she was being interviewed as I drove up to Buffalo but that station (WSKG) got out of range just as she was explaining how she, a security studies doctoral student, got into civil resistance and nonviolence.
09 November 2014
going back to Bruges
It looks like I might just have to go back to Bruges real soon. The Groeningemuseum is having a very topographical and whatnot exhibition of works by Ellen Harvey, now open and running until 1 February 2015. This photo is from the Musea Brugge Flickr album on Ellen Harvey and here's a link to the exhibition.
Labels:
Belgium,
contemporary art,
Ellen Harvey
07 November 2014
separated at birth: Jackie Winsor and Shigeru Ban
Jackie Winsor
Fifty-Fifty, 1975
from Modern Art Notes podcast on tumblr.com
Shigeru Ban
Aspen Art Museum, building opened 2014
from artnet news
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